Filehippo tommaso marinetti biography sample

 Filippo Tommaso Marinetti

b , Alexandria—died , Bellagio (I).

Filehippo tommaso marinetti biography sample Because Italian unification had failed to effect genuine national rejuvenation, Marinetti aggressively called for a movement that would be a true risorgimento, or resurgence. Retrieved 21 June The futurists vociferously advocated Italy's intervention into World War I , in which Marinetti and other futurists eventually served. Filippo Tommaso Marinetti was an Italian poet and writer, as well as the founder, leader, and theorist of the Futurist movement.

b in in Alexandria, Egypt as Emilio Angelo Carlo Marinetti (later called Filippo Tommaso)—died ; he became an Italian millionaire poet and writer,. studied law at the universities of Pavia and Genoa (I).
Early on he had published a literary magazine between and , and in he published his first work in the new «free verse» style.

By he had decided to devote himself entirely to Italian and French literature and poetry. He founded the international magazine «Poesia» (Poetry) in and published it in Milan from until Marinetti was on a personal crusade to liberate poetry and literature from the constraints of traditional punctuation and syntax. The publication of the Foundation and Manifesto of Futurism on the front page of Le Figaro on 20 February brought Marinetti instant notoriety.

Filehippo tommaso marinetti biography sample pdf Marinetti was on a personal crusade to liberate poetry and literature from the constraints of traditional punctuation and syntax. Flint; translated by R. Marinetti traced his cultural and artistic beliefs back to Dante and E. Einstein's Beets.

His vehement and polemic manifesto, based on the modern aesthetic principles of a fast, aggressive lifestyle, and the wonder of the machine age. By he had been joined by the artists Giacomo Balla, Gino Severini, Umberto Boccioni, Carlo Carrà and Luigi Russolo as well as a small following of musicians, poets and writers.
At this early stage of Futurism, many of its members—including Balla, Carrà, Boccioni, Russolo and many others—were anarchists, which represented a wide-ranging cultural revolution among the avant-garde.

An innovative and brilliant publicist, he used modern methods to publicise his new art movement—chiefly in the form of a flood of manifestos and in the form of the «serata.» From on, these Futurist soirées were the precursor of the «Synthetic Theatre.» Performances usually included music or a performance of Russolo's «Intonarumori» or noise machines, improvised speeches (usually by Marinetti), presentations of paintings, literary and poetic readings and short dramatic plays called sintesi or syntheses.

In literature, following on from his early experiments with 'free verse', he introduced the concept of 'free words', eschewing syntax and punctuation while revolutionising typography. Futurism came to an end with Italy's defeat in the war and Marinetti's death.

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